Four Poems for Azalea and Aluminum Prairies  —Ray Young Bear

 

"...and when I found out
what she was heading for,
it was too late
."                     
—The Guess Who

 
1. 

It's Monday, the third week in July 2015.
At 10 AM, as it's done for thirteen years,
the tribe's garbage truck, now mud-
covered and moaning insidiously, 
      slides
its way down the long gravel driveway. 
Imprinted on its doors are two spotted 
wings, framing our Black Eagle Child
name. In the truck's cab are Ducks 
      Down 
and Star Calf. Soon, from high above
the cat-tail marsh, small, fierce birds 
take turns bull-riding a red tail hawk. 
In sharp, audible protests, the raptor 
      surrenders 
to the cottonwood shade to gaze
and marvel at the fat, writhing snake 
impaled in its talons.

 

2.

Here, behind the picture window—
and like that prey, on a cottonwood 
branch, who's about to be quartered 
and splayed, I'm on the Lazy-Boy, 
      watching
in near-paralysis. Laconically, 
the TV announces threat of afternoon
funnel clouds preceded by dangerous
heat. By sundown, as dark gray clouds
      with
orange tips roll in from Jean Seberg 
County, lightning sears the landscape. 
After weeks of proofreading Aluminum 
Prairies & Other Misnomers

      an 
ice pack melts quickly over a surgery-
weakened belly. And Atom, once 
a source of creativity, succumbs 
to arthritis compounded 
      with 
fatigue. At a point where I've 
convinced myself elderly pain 
is manageable, I tremble-point
to the cardinal points, hoping 
      to 
re-enter hinterland normalcy.

 

3.

On the night Azalea vanished, 
she wrote, "Long before sunset, 
the shadows of Florentine streets 
resonate. That's when Hombre, 
      the 
beagle, lounges with Alchemists
and Master Blasters at the Piazza 
Santo Spirito." But please be careful, 
I replied, not to mix R-Cs with garrulous 
       company.
Its revelry might trigger galley oars
to nudge the Mediterranean awake. 
Then, like pumpkins in an unkept garden,
some antiquities might cry from neglect. 
      Three 
years ago, in hefty trunks stenciled 
On the Premise of Change, she shipped
herself overseas to promote her Lake 
Agassiz line of hats, scarves, 
      and 
sunglasses. Thus, on that pivotal 
night, a dream propelled me akameeki
overseas to Florence, where a faceless 
person and I were walking on dei 
      Serraghli, 
a narrow street, looking for Hombre. 
When we peered into a dimly-lit 
butcher shop, I woke up. A week later, 
news came that the polizia had filed 
      charges
on the last person the "American 
fashionista was with." At some point, 
it was also reported, the beagle 
would fly back to South Carolina 
      alone 
and under sedation.

 

4.

Not far from the hazy driveway, 
while shadows of birds locked 
in aerial combat flicker across 
an un-mowed lawn, a crawdad 
      emerges 
cautiously to peep from its dewy
hillside den. Laced with the scent 
of dandelions and wild onions, 
it scurries across the road, 
      reminding 
me of a rebel who wears bandoliers
of Dragunov snayperskaya rounds. 
Then, before the garbage truck 
maneuvers past pools of rainwater, 
      the
crawdad backs up robotically into
the cover of cool grass, lifting
its lone claw high, like a rifle, 
and mocking in defiance
      the 
madnesse.



Photo: Stella Young Bear

Photo: Stella Young Bear

Ray Young Bear, Meskwaki (Red Earth People) tribal member, lives in central Iowa. In 2015, his book Manifestation Wolverine: The Collected Poetry of Ray Young Bear was published by Open Road Media. His poems have been featured in The New Yorker, The Iowa Review, and Native Voices, an anthology by Tupelo Press. In 2020, his poems are included in When the Light of the World Was Subdued, Our Songs Came Through: a Norton Anthology of Native Nations Poetry, edited by Joy Harjo, U.S. Poet Laureate.  

ISSN 2472-338X
© 2019